US$9.99: Minolta SRT 101 Repair Manual

Here is ONE Instructions / Guides / Manual you may need on How to Repair / Restore / DIY / Clean, Lubricate, and Adjust  Minolta SRT 101.

Pictures uploaded are considered an important part of this description. Please examine carefully.

 

“Minolta SRT 101 Repair Manual”

Language: English

File TypePdf

Number of pages96 pages.

File Size: 9.76 mb.

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The file(s) will be sent to your paypal registered email address within 3 working days (Usually I will do this within a few hours). Due to the high quality scan, some of the file sizes are very big, i.e., >10MB. We will email you a link of the file so that you can download anytime.

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The Minolta range of 35mm SLR cameras was introduced in 1958 by Chiyoda Kogaku launching the Minolta SR-2, the first Japanese manufacturer to get their 35mm SLR camera design right from the start. Kazuo Tashima (1899–1985) established the company in 1928 to produce cameras, but soon it expanded into optical manufacturing, eventually becoming one of very few camera companies manufacturing lenses using blanks from their own glass works, culminating by producing lenses for Ernst Leitz, Wetzlar.

The Minolta SR-T 101 is a 35mm manual focus SLR camera with Through-The-Lens exposure metering – TTL for short, that was launched in 1966 by Minolta Camera Co. Staying in production for ten years with only minor changes, proves the thorough effort being put into the development of the camera before the introduction. The design is based on the innovative Minolta SR-7 model V camera of 1962, but the principal design is inherited from the original 1958 Minolta SR-2. The SR-T 101 however, has several significant features apart from the TTL meter. The most significant one is perhaps the full aperture metering facility, automatically compensating for the at any time fitted lens’ maximum aperture,[2] a feature it took twelve more years for Nikon to figure out how to accomplish. Full aperture TTL metering was commercially first realised in the brilliant Tokyo Kogaku Topcon RE-Super, a feature first realised in a screw mount camera by the introduction of the Olympus Kogaku Olympus FTL, their first full frame 35mm SLR in 1971, but which was abandoned one year later in favour of the remarkable OM system.

The SR-T 101 has an extremely bright finder with a central micro prism focusing aid that in most cases proves to be very convenient, requiring no apparent lines in the motive, since all out of focus objects appear to shimmer. All relevant exposure information is visible in the finder, including a battery check index mark showing the required meter needle deflection for a healthy battery when the ON/OFF meter switch on the camera base is set to BC.[3]

The SR-T 101 was also made available in black. The top cover and the base plate are finished in black enamel while most metal parts are black chromed, but the wind lever is black anodised. The parts still chromed, to name the most obvious ones, include the shutter-release button, the mirror lock-up knob, the depth-of-field preview button and the lens-release button.

 

Several changes were made to the SR-T 101 during the long production period, both functional improvements and rationalisation of production. Some are easily detected while others are inside the body and not apparent without dismantling, these latter ones are not covered here. New features may have been retrofitted to older cameras due to repair or just being swapped between cameras, including the original lens. Camera body serial numbers has been observed from about 1.000.000, while the 58mm standard lens has been observed from about 5.000.000.

The original camera has a black shutter speed dial with a finely milled pattern at the edge, and the two black plastic covers either side at top of the mirror housing are glued in place. All visible screw heads are single slotted. At the back, either side of the viewfinder window two screws hold the top cover, which are situated at equal distance from viewfinder window either side. The take-up film spool is plain black with one slot. The accessory shoe has a small metal stud stop pin. The standard lens has an intermittent milled focusing ring without scalloping recesses. The lens cap is black anodised stamped aluminium with “Minolta” in brushed metal finish.

The original model soon was changed, possibly after just some 50.000 cameras had been made; the right-hand screw at the back was moved farther away and the two black plastic covers either side at top of the mirror housing became fixed using blackened screws with brass bushings attached inside.

Later on, as body serial numbers approached the two million mark, more easily detectable changes were introduced; the shutter speed dial on chrome cameras became chrome finished with coarse patterned sides. All screws are of the crosshead variety. The take-up film spool got a grey four-tongued plastic moulding for film attachment. The lens got a scalloped focusing ring.

The late cameras, made the last few years, have a modified accessory-shoe with a black plastic ridge stop in front. The standard lens would be of the 50mm focal length.

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