US$9.99: Ansel Adams: The Print

Ansel Adams: The Print, 223 Pages, 67.4 MB

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Ansel Adams (1902-1984) was one of the great artists and environmentalists of the twentieth century. In a remarkable career spanning more than sixty years, he made over 40,000 photographs. Adams was a master teacher as well as a master photographer, believing that his approach to photography was universally applicable. From 1955 until 1984 he conducted annual photography workshops, first in Yosemite and later in Carmel. But his most important and lasting contribution to the artistic, practical, and technical aspects of black-and-white photography was through his legendary technical series (revised several times since the initial publication in the early 1950s): The Camera, The Negative, and The Print.

This is the third and final book in Ansel Adams photography series. ”OrangeCrush  |  3 reviewers made a similar statement
This results in making reading the book at certain angles quite impossible for your eyes. ”And V. Antonopoulos  |  2 reviewers made a similar statement

 

US$9.99: Ansel Adams: The Negative

Ansel Adams: The Negative, 287 pages, 36.5 MB

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Review

A master-class kind of guide from an undisputed master. PUBLISHERS WEEKLY Adams is a clear-thinking writer whose concepts cannot but help the serious photographer. NEW YORK TIMES

About the Author

Ansel Adams (1902-1984) was one of the great artists and environmentalists of the twentieth century. In a remarkable career spanning more than sixty years, he made over 40,000 photographs. Adams was a master teacher as well as a master photographer, believing that his approach to photography was universally applicable. From 1955 until 1984 he conducted annual photography workshops, first in Yosemite and later in Carmel. But his most important and lasting contribution to the artistic, practical, and technical aspects of black-and-white photography was through his legendary technical series (revised several times since the initial publication in the early 1950s):The Camera, The Negative, and The Print.
I highly recommend this book to anyone who is serious about B&W photography. ”RJC  |  13 reviewers made a similar statement
The core of this book is probably the zone system. ”Z. Cheng  |  6 reviewers made a similar statement

US$9.99: Ansel Adams: The Camera

Ansel Adams: The Camera, 218 pages, 22.0 MB

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I would recommend this book to anyone who wants to understand photography. ”W. Ng  |  20 reviewers made a similar statement
This book provides invaluable insights into the world of photography as seen by Ansel Adams. ”Steven B. Tipps  |  13 reviewers made a similar statement

US$9.99: Basic Training in Camera Repair

Here are the Instructions / Guides / Manual you may need on How to Repair / Restore / DIY / CLEAN, LUBRICATE, AND ADJUST classic cameras

Pictures uploaded are considered an important part of this description. Please examine carefully.

 

“Basic Training in Camera Repair”

Language: English  

File TypePdf

Number of pages: 106 pages.

File Size: 47.8 mb.

 

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Please kindly email me (camera4service@gmail.com) your email address after making the payment. The file(s) will be emailed to you within 3 working days (Usually I will do this within a few hours). Due to the high quality scan, some of the file sizes are very big, i.e., >10MB. We will email you a link of the file so that you can download anytime.

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US$9.99: Contaflex I, II, III and IV Service and Repair Guide / Manual

Here are the Instructions / Guides / Manual you may need on How to Repair / Restore / DIY / CLEAN, LUBRICATE, AND ADJUST Contaflex I, II, III and IV Cameras

Pictures uploaded are considered an important part of this description. Please examine carefully.

 

“Contaflex I, II, III and IV Service and Repair Guide / Manual”

Language: English  

File TypePdf

Number of pages: 190 pages.

File Size: 18.5 mb.

 

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The file(s) will be emailed to you within 3 working days (Usually I will do this within a few hours). Due to the high quality scan, some of the file sizes are very big, i.e., >10MB. We will email you a link of the file so that you can download anytime.

Any questions, please ask.

We accept paypal only.

 

The Contaflex I, launched in 1953, was equipped with a fixed Zeiss Tessar 45mm f:2.8 lens with front-cell focusing. The very first Contaflex I had a Synchro-Compur shutter with the old scale of shutter speeds (1-2-5-10-20-50-100-200-500), but very soon it adopted the new scale 1-2-4-8-15-30-60-125-250-500.

The Contaflex II, introduced the following year, was the same camera with an uncoupled selenium meter added to one side of the front plate.

Both had a fixed lens but to the front of which could be attached a supplementary lens, called the Teleskop 1.7x.

The Contaflex III, launched in 1956, was the same as the I, but equipped with a Zeiss Tessar 50mm f:2.8 with helical focusing. The front element of the lens was removable and could be replaced by supplementary lenses, discussed in the section Contaflex lenses.

The Contaflex IV, introduced the same year, was the same camera with the uncoupled meter inherited from the Contaflex II.

 

We have already seen that the Contaflex I and II could only take the Teleskop 1.7x supplementary lenses, and that the Alpha, Beta and Prima had their own limited range of Pantar supplementary lenses.

The models III, IV, Rapid, Super, Super (new), Super B, Super BC and S all have a Zeiss Tessar 50mm f:2.8 lens (27mm screw-in or 28.5mm push-on filters) with interchangeable front element. All of them can take a small range of supplementary lenses:

  • Zeiss Pro-Tessar 35/4 (49mm filters), later replaced by the Pro-Tessar 35/3.2 (60mm screw-over filters)
  • Zeiss Pro-Tessar 85/4 (60mm screw-over filters), later replaced by the Pro-Tessar 80/3.2 (60mm filters)
  • Zeiss Pro-Tessar 115/4 (67mm filters)
  • Monocular 8x30B, equivalent to a 400mm lens (attaches to the 50mm f/2.8 Tessar lens).

There was also a Zeiss Pro-Tessar M 1:1 supplementary lens, that kept the focal length of 50mm but allowed 1:1 reproduction. The effective speed of the M 1:1 lens is f/5.6. The 50mm standard front elements, as well as the Pro-Tessar M 1:1 elements, were different between the early models III, IV, Rapid and Super with the old model of Tessar, and the later models Super (new), Super B, Super BC and S with the recomputed Tessar. It appears that the mount was very slightly modified, and it seems physically impossible to mismatch the elements as the journal diameter above the bayonet mount had been reduced by approximately .006″

There were also stereo attachments:

  • Steritar A for the Contaflex I and II
  • Steritar B for the other Tessar-equipped models
  • Near Steritar for close up stereo pictures .2 – 2.5 meters

(Normally interchangeable with the older Tessar line of Steritar B camera lenses)

  • Steritar D for the Pantar-equipped models

A complete line of these Contaflex Steritar lenses can be seen at (http://www.flickr.com/photos/12670411@N02/)